Live E-Commerce
Studio · hostedHost at the table, product on the lit shelving behind, comments moderated live. Run for Fresh & Soft, LYO and YaiLY — with Miss Grand talent when the campaign wants reach.
BEAT 01
Our own studio handles the weekly work — camera, two lights, product shelving or green screen, capture rig and an operator. You book hours, not equipment.
BEAT 02
When the job outgrows the room we bring the full rig to your venue — up to six cameras through vMix, an OB system and a director calling it live. Miss Grand Songkhla & Satun 2026 ran on that setup.
BEAT 03
A Fresh & Soft live sell on this team peaked at ninety-nine thousand viewers. That is the number we are trying to beat.
Full multi-camera production at Signature Hotel Airport — director, switcher, audio and a lighting rig, streamed live across platforms.
Fresh & Soft, LYO and YaiLY — hosted live selling with Miss Grand talent. The Fresh & Soft campaign peaked at 99,000 viewers.
The same team that runs a provincial pageant runs your Tuesday product stream. That is why the small work still looks broadcast.
Host at the table, product on the lit shelving behind, comments moderated live. Run for Fresh & Soft, LYO and YaiLY — with Miss Grand talent when the campaign wants reach.
The format taking attention across Thailand right now. Shot portrait in the same room, cut for the vertical feed, built as episodes — with the product as a prop in a story rather than the subject of a pitch.
Pageants, concerts and corporate. Up to six cameras switched through vMix or OBS on an OB system, with a director, audio engineer and instant replay with graphic overlays.
Presenters and KOLs sourced to work with the live team — including Miss Grand talent, who bring an audience with them rather than waiting for one to arrive.
SHORT DRAMA 01
Vertical micro-drama is where attention went. Two-minute episodes, shot portrait, made to be watched one-handed on the way somewhere.
SHORT DRAMA 02
It uses the studio you are already booking. The lights do not move. The camera turns. The set dressing changes.
SHORT DRAMA 03
And it gives a brand somewhere to live that is not an ad break — a story people choose to finish, with the product inside it.
Every line below is a purchase order you never raise, a delivery you never wait for, and an asset you never depreciate. It is already here, already lit, already paid for.
| Camera | Canon R50 mirrorless, tripod-mounted, clean output to the capture rig |
|---|---|
| Lighting | Two continuous studio lights — large octabox key plus fill, shaped for on-camera skin tones |
| Backdrop | Lit product shelving, or full green screen — switched between sessions |
| Vision | High-performance PC with capture card, live switching, overlays and lower thirds |
| Audio | Wireless microphone, monitored throughout the session |
| Set | Host table and stool, product staging surface, floor marks |
| Orientation | Landscape 16:9 for live commerce, portrait 9:16 for short drama |
| Operator | Camera, lighting, audio and stream operation run by our team |
| On location | Up to 6 cameras, vMix / OBS switching, OB system, director, FOH audio, instant replay |
Cameras, lights, audio and an OB system bought up front, then idle most of the month.
No director and no switcher, so nobody is actually shaping the show while it runs.
Quality drifts session to session, and the brand wears every bad one.
Full crew and broadcast kit ready to run — nothing to buy, nothing to store.
Multi-camera and OB under a professional director, live.
Hour bundles you can split across sessions — cheaper than owning.
A real portfolio at provincial-pageant scale and with national brands.
Working alone, with no backup crew or spare kit when something fails mid-stream.
Usually one camera, so no cutting between angles and no visual rhythm.
Availability and consistency are hard to hold across a run of shows.
Same process for a two-hour product stream and a provincial pageant. Only the scale of each step changes.
Concept, script and run of show. Set and talent chosen against the brand, not against what happens to be available.
Stage, lighting, audio, cameras and the OB system built and tested — then rehearsed properly before anything goes live.
Director and switcher running the show in real time, simulcast across platforms, with replay and graphics on cue.
Views and sales summarised after the show, with the full recording handed over so the footage keeps working.
Live is billed by the hour and every package includes two mirrorless cameras, continuous lighting, full audio, the OB system, internet and one platform — crew included. Short drama is produced per series, priced separately below.
Standard
Small jobs and short streams
11,990 THB
1–2 hours · continuous
Pro
Regular streaming, split across sessions
53,990 THB
10 hours · splittable
MOU · Enterprise
Organisations running live continuously
from 599,000 THB
150+ hours · −25%
Short Drama Content Production
Vertical episodic series, produced end to end — separate from the hourly live rate.
01 · Story
Concept, episode arc and script, written so the brand is a prop in the story rather than an interruption to it.
02 · Cast & set
Talent sourced and cast, set dressed in-studio or on location, shot portrait 9:16 from the first frame.
03 · Shoot
Multiple episodes captured per shoot day, using the same lighting and crew as the live sessions.
04 · Post & delivery
Edit, grade, sound, subtitles and hooks cut per episode — delivered ready for TikTok, Reels and Shorts.
Priced per series rather than per hour — episode count, cast size and shoot days drive the number. Talk to us with a rough brief and we will scope it.
Prices exclude VAT 7%. Add-ons: live frame / artwork / backdrop from 900 · MC 3,000–12,000 · extra platform 1,200 each.
Full rate card & portfolioBring the product. We will light it, put it on the shelf and show you exactly what it looks like on camera.